BOOK PRODUCTION
BY
MIKE OKHIHIEMEN
Atohengbe Aigbomian NOE MIKE OKHIHIEMEN |
The Writing Process (2)
The First Paragraph
Your book is either made or marred in
the first sentence of the first paragraph. Consequently, all writers struggle
to come up with the first line to their books. This need is not only applicable
to novels, but as well as other types of writings.
The importance of the first chapter
can be demonstrated in this scenario.: You visit a bookshop with no particular
book in mind. You scan around to find a book that would catch your attention.
Finally, you find one- perhaps from the beautiful cover or the title or both.
You think you will find it useful. You move nearer, pull it out of the shelf,
then (for some enlightened ones, they go straight to the blurb-back cover) but
you opened the book’s pages. You went straight to the first paragraph; then to
the first sentence. You read. Phulll…..
You try the next sentence, then next …… then you close the book slowlingly, you return it to the shelf.
Gone! You look for another book; maybe another and another. Many people do this
unconsciously.
What are they looking for? Most
readers do not know. But let me tell you. They are looking for the book that
would hook their attention and take them
on. At least for once, that is how most
books receive their reflection. But there are exceptions though. For instance,
the book title of a well known author, if recommended or in your schedule of
things to be bought, will still be bought despite all the afore-mentioned
defects.
-2-
Famous first lines such as:
·
“It’s not about you” (Rick Warrens’s Purpose Driven
Life)”
·
“It was the best of times; it was the
worst of times”
(Charles Dickens)
·
“It was a bright cold day and the
clock was striking thirteen” (George Orwell) etc have outstanding first time opening that
helped their books to stand out as classics. For example, Warrens’s Purpose
Driven Life has sold well over 30 million copies partly because of its profound
beginnings. Study the first sentence of each of the forty chapters of that book
and you would see what I mean.
If you must publish a book, work well
on the first chapter. The first chapter can make or break a book. The first
chapter can lure in a skeptical reader or drive them away to a book with more
compelling start.
First and foremost, you must get the
reader’s attention. Make them want to know what happens next through a well
structured topic sentence. (Look out for the section of topic sentences later
on this page ).
The truth is, to achieve this is not
an easy feat. But you can pick up a few good books – especially motivational
books or novels of American origin. Study their first sentence of each chapter,
then come back and look closely at the whole of Chapter one.
If you do this correctly, you are
likely to not that most good books have short, captivating beginnings. Look at
these:
·
“It was a hell of a blast”
·
“You were created to become like Christ.”
·
“Services start in your mind.”
·
“I’ve been dodging the Longman for three years; and I still don’t know if
I committed the crime.”
Think of all these openings and the
question they stir in one’s mind. Particularly for the last one, how could he
not know if he had committed the crime? Was he drunk? Was he unconscious? What
was the crime? To whom? Why has he been running so long? How is he going to
resolve the situation? An opening paragraph of this nature can spur even the
most reluctant reader to find out what happens next and next until the whole
chapter is read; and guess what happens?
The book will obviously be paid for.
When writing your first paragraph,
particularly the first sentence, avoid old academic introductions like:
“Success has been defined as …..” When you start a book this way, it is very
likely that even the most enthusiastic reader will be bored. You wouldn’t want
that to happen to you.
Let me expand more examples of a good
opening paragraph to you. This one is from the book Gentle Persuasion by Rita
Rain Ville. The first five lines in her story run thus:
“We’ve got to get ride of Edgar”
“Permanently?”
“Yes”
“How?”
“Quietly… Perhaps poison”
Without doubt, this is a beautiful
beginning. Obviously many questions will flood the reader’s mind: Who is Edgar? Who is planning his death? Why?
Will they succeed? Who’s speaking?
Aren’t you dying to read more?
That’s how good writers woo their
readers. That’s how best books are made.
Here is another …
“Fire engulfed the ship. She dodged through the burning
debris. Flames licked all about her, up the mast, along the rigging. Tatters of
blazing sails flailed in the wind. The ship was doomed”
. –
From the book Captive Angel by Elaine Crawford.
Notice the action and the length in the first sentence.
The beginning of a book is very
important. We can all master this art once. But we can study what others had
done. For this, let me repeat what I said before. Study the first chapter, the
first sentence of about 10 good books and work along that line. In his book- Goals!
Brian Tracy , in the first
paragraph wrote :
‘This is a wonderful time to be
alive. There have never been more opportunities for creative and determined
people to achieve more of their goals than these are today.Regardless of
short-term ups and downs in the economy and in your life, we are entering into
an age of peace and prosperity superior to any previous era in human history.”
When you go through the whole book,
you are likely to notice that the sentence “This a wonderful time to be alive” is what
the entire book captures in his way of telling us how to set goals
A good first sentence in most books
sets the stage for the entire book.
Don’t hurry over this area (the first
chapter). This is where your book’s destiny is determined. Do it well before
you rush to the press.
As important as the first chapter
maybe, it is not alone. It must be connected with the rest chapters until the
book is done. This process is what we will be looking at in the next series. Look out!
Mike Okhihiemen
(Formerly Atoh. Aigomian,)
Wrote this piece from digestiriters@yahoo.com.
and Could be reached on 080340341940
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